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Filmmaking
An ode to the summer blockbuster: From Jaws to The Hangover and the tropes that delight our memory

An ode to the summer blockbuster: From Jaws to The Hangover and the tropes that delight our memory

We connect the blockbuster with an exuberance of youth – with getting a parent to take us to see Space Jam, with riding along in a van full of neighbor kids, with taking our own children to experience something simple that brought us joy. Today, we examine the blockbuster tropes that have brought bombastic entertainment to the masses and the films that define a genre.

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Director and Fable House’s own Misty Talley to host NOVAC editing workshop

Director and Fable House’s own Misty Talley to host NOVAC editing workshop

Director and Editor Misty Talley will host the workshop “Editing Theory in Practice” at the NOVAC campus in New Orleans on Thursday, March 2nd. The “Editing Theory in Practice” workshop is an intermediate course and will cover editing theory, analyzing coverage, cutting compelling conversations, creating tension, coherent action beats, and even editing with VFX plates. The session will also focus on helping filmmakers improve their Adobe Premiere Pro skills.

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The marsh atmosphere in ‘Where the Crawdads Sing’ and the editing and VFX relationship that helped shape it

The marsh atmosphere in ‘Where the Crawdads Sing’ and the editing and VFX relationship that helped shape it

When you cut through the external buzz of ‘Where the Crawdads Sing’, what you have is an adventure mystery built on the foundation of an atmosphere. The marsh – the buzz of cicadas and the sun that drips down through the cypress trees – it’s a living piece of this story. The effects and the composition are paramount.
We talked to editor Alan E. Bell and VFX Supervisor Kolby Kember of ‘Where the Crawdads Sing’ about how they helped build the atmosphere of Crawdads with their editing and visual effects expertise.

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