[et_pb_section fb_built=”1″ admin_label=”Hero” _builder_version=”4.14.5″ background_enable_color=”off” background_image=”https:\/\/fablehouse.tv\/wp-content\/uploads\/2020\/05\/Bleeding-Kansas-cover-2.jpg” min_height=”319px” custom_padding=”67px|0px|67.1875px|0px|false|false” animation_style=”zoom” animation_intensity_zoom=”4%” hover_enabled=”0″ global_colors_info=”{}” use_background_color_gradient=”on” background_color_gradient_start=”rgba(0,0,0,0.82)” background_color_gradient_end=”rgba(0,0,0,0.75)” background_color_gradient_overlays_image=”on” sticky_enabled=”0″][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.14.5″ _module_preset=”default” custom_padding=”0px||0px||false|false” saved_tabs=”all” global_colors_info=”{}” global_module=”6795″ theme_builder_area=”post_content”][et_pb_row _builder_version=”4.14.5″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.14.5″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjUzNTEifX0=@” button_text=”Back to the blog” button_alignment=”center” _builder_version=”4.14.5″ _dynamic_attributes=”button_url” _module_preset=”default” custom_button=”on” button_text_color=”#E02B20″ button_bg_color=”#FFFFFF” button_border_width=”0px” button_icon=”#||divi||400″ button_icon_placement=”left” button_on_hover=”off” animation_style=”fade” animation_delay=”150ms” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Creative Process Section” _builder_version=”4.4.4″ max_width=”88%” module_alignment=”center” min_height=”100px” custom_margin=”||||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ admin_label=”Service Section Title” _builder_version=”4.4.3″ custom_margin=”||||false|false” animation_style=”fade” animation_direction=”top” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Title” _builder_version=”4.4.4″ text_font=”Montserrat||||||||” text_text_color=”#747d88″ text_font_size=”16px” text_line_height=”1.9em” header_font=”||||||||” header_2_font=”Montserrat|700||on|||||” header_2_font_size=”42px” header_2_line_height=”1.3em” text_orientation=”center” max_width=”700px” module_alignment=”center” animation_style=”slide” animation_direction=”bottom” animation_intensity_slide=”4%” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text admin_label=”Subtitle” _builder_version=”4.5.1″ text_font=”Montserrat|600|||||||” text_text_color=”#747d88″ text_font_size=”18px” text_line_height=”1.8em” header_font=”||||||||” text_orientation=”center” max_width=”700px” module_alignment=”center” custom_margin=”|||” animation_style=”slide” animation_direction=”bottom” animation_delay=”100ms” animation_intensity_slide=”4%” global_colors_info=”{}”]<\/p>\n
short film by Daniel Lafrentz<\/p>\n
[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.4.4″ global_colors_info=”{}”][\/et_pb_divider][et_pb_video src=”https:\/\/vimeo.com\/292404520″ thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.4.4″ animation_direction=”bottom” box_shadow_style=”preset1″ box_shadow_blur=”8px” box_shadow_spread=”8px” box_shadow_color=”#a8a8a8″ global_colors_info=”{}”][\/et_pb_video][et_pb_divider show_divider=”off” _builder_version=”4.4.4″ global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.4.4″ global_colors_info=”{}”]<\/p>\n
A pair of mismatched U.S. Marshals is sent to the Kansas frontier to uncover the fate of a Marshal who went missing escorting a member of a notorious gang to his hanging. But when the Marshals find the condemned man alone and barely alive, the obvious answers don’t hold water and all the evidence points to something much darker and more sinister.<\/p>\n
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Director<\/strong>: Daniel Lafrentz<\/a> [\/et_pb_text][et_pb_text _builder_version=”4.4.4″ global_colors_info=”{}”]<\/p>\n Links:<\/strong> [\/et_pb_text][et_pb_divider _builder_version=”4.4.5″ global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.4.5″ global_colors_info=”{}”]<\/p>\n We did a short interview with Daniel Lafrentz, and here’s what he told us about making this film.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.4.5″ global_colors_info=”{}”]<\/p>\n Where did you guys shoot and when?<\/p>\n “We shot this project in Santa Clarita, CA<\/a> on an empty ranch in late March, 2018. We wrapped The Long Shadow<\/a> right before Christmas 2017 and I immediately went back to California to prep and direct this project which was my Master\u2019s thesis at the UCLA School of Film and Television<\/a>.”<\/em><\/p>\n How long was production?<\/p>\n “It was a four day shoot. Miraculously (or thanks to good prep) we didn\u2019t need a single pickup or even line of ADR.”<\/em><\/p>\n What was your post-production process like?<\/p>\n “Fast! I had a great collaboration with my post team and we were able to picture lock by June. VFX and color took me a little longer than I wanted because as soon as we locked picture on Bleeding, Kansas I went into production on pickups in Los Angeles and Louisiana for The Long Shadow.”<\/em><\/p>\n What’s your favorite shot in the video?<\/p>\n “It\u2019s probably a tie between the low-angle push-in on the big buffalo demon and the steadicam multi-handoff shot of the two Marshals running through the woods. The demon shot is just so dramatic and fun, but the steadicam shot is the first instance of the guys working together as a unit and I was really proud of this way I came up with of showing that visually.”<\/em><\/p>\n What are you looking to direct next?<\/p>\n “I have a two upcoming features in the works. My writing partner from The Long Shadow and I also just finished another Louisiana-based feature script about a young black man who is released from long-term solitary confinement and is trying to get back on his feet after he ends up in a corrupt and abusive halfway house. That\u2019s very early stages but we\u2019re working on our building all of our supporting materials like the budget, schedule, financials, look book, and tone reel. I also rewrote and am attached to direct a romance-crime drama feature set in the fracking oil fields of North Dakota that centers on a father-son team who come to a small town to buy up land rights and get entangled both in business and in love with the people there.”<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_sidebar orientation=”right” _builder_version=”4.5.1″ global_colors_info=”{}”][\/et_pb_sidebar][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Short film by Daniel Lafrentz. We did a short interview with Daniel Lafrentz, check out what he told us about making this film.<\/p>\n","protected":false},"author":1,"featured_media":6170,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[32,44],"yoast_head":"\n
Producers<\/strong>:\u00a0Daniel Lafrentz<\/a>,\u00a0Jeremy D. Hill<\/a>,\u00a0Geoffroy Faug\u00e9rolas<\/a>,\u00a0Griff Jones<\/a>
Writers<\/strong>:\u00a0Chris Grillot<\/a>, Ezra Herz<\/a>
Music by<\/strong>:\u00a0Stephen A. Spies<\/a>
Cinematography by<\/strong>:\u00a0Hilarion Banks<\/a>
Cast<\/strong>:\u00a0McKinley Belcher III,\u00a0Linc Hand,\u00a0William Mark McCullough<\/p>\n
Bleeding, Kansas on IMDb<\/a><\/p>\n